Jindrich styrsky biography of albert
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Albert Evans (–)
“AFTER SPEAKING WITH ALBERT EVANS, a reporter’s transcript is filled with notes like ‘big laugh,’ ‘throws hands up dramatically,’ and ‘mischievous whisper.’ ”
That sentence didn’t make my editor’s cut for the New York Times profile I did of Evans. But the very three-dimensional idea of his expansive and warm presence always came to my mind when people mentioned him. And it did again when I learned in June that the former New York City Ballet star had died.
It’s a shocking loss, in part because of that big and warm personality, which shone through whether he was performing in one of George Balanchine’s grand ballets or spending an hour in a windowless conference room answering the questions of a young, more-than-somewhat-starstruck writer. And shocking too, because Evans was only forty-six. He was gone a mere five years after retiring from the storied City Ballet stage—a
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Jindrich styrsky biography of albert
Czech painter
Jindřich Štyrský (11 August – 21 March ) was a CzechSurrealist painter, poet, editor, photographer and graphic artist.
His outstanding and varied oeuvre included numerous book covers and illustrations.
He also wrote studies of both Arthur Rimbaud and Marquis de Sade. Along with his artistic partner Toyen (Marie Čermínová), he became a member of Devětsil in , participating in their group exhibitions. He and Toyen also exhibited in Paris in the late s, where they founded their own movement, Artificialism.
Jindrich styrsky biography of albert
Between and he was designer for the group's drama wing, the Osvobozené divadlo, where he collaborated with Vítězslav Nezval and others. Štyrský was also an active editor. In addition to his Edition 69 series, he edited th
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Jindřich Marco
Czechoslovak photographer (–)
Jindřich Marco (10 May – 20 December ) was a Czech photographer and numismatist. As a photographer, he is best known for documenting the state of several huvud European cities shortly after the Second World War, the hardships of their inhabitants, and the beginnings of reconstruction.
Following a show rättegång and sju years' forced labour in uranium mines, Marco turned to safer subject-matter, particularly items in museum collections, eventually writing numismatic books himself. He also created a major series of portraits of Czechoslovak artists, musicians and writers. He briefly returned to photojournalism by documenting the Warsaw Pact invasion of Czechoslovakia.
Youth and wartime
[edit]Marco was born Jindřich Fritsche on 10 May in Prague, to Albert Fritsche, a bank clerk, and his wife Marie, née Spitzová. For his surname, he preferred "Marco", which he used consistently for his photography, and officially adopted in &#