Gerardo matos rodriguez wiki

  • Gerardo Hernán Matos Rodríguez (March 28, 1897 – April 25, 1948), also known as Becho, was a Uruguayan musician, composer and journalist.
  • Uruguayan musician, songwriter (1897–1948).
  • Gerardo Rodríguez may refer to: Gerardo Matos Rodríguez, Uruguayan musician, composer and journalist; Carlos Gerardo Rodríguez, Mexican football midfielder.
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    Gerardo Matos Rodríguez

    Gerardo Anacleto Matos Rodríguez

    Birth nameGerardo Hernán Matos Rodríguez
    Also known asBecho
    BornMarch 28, 1897
    Montevideo, Uruguay
    Died (aged 51)
    Montevideo, Uruguay
    GenresTango
    Occupation(s)Composer, journalist, piano player
    InstrumentPiano
    Years active1917–1948

    Musical artist

    Gerardo Hernán Matos Rodríguez (March 28, 1897 – April 25, 1948), also known as Becho, was a Uruguayan musician, composer and reporter.

    Background and early career

    [edit]

    Gerardo Hernán Matos Rodríguez was born in Montevideo, the son of the owner of the Moulin Rouge, a popular local cabaret. He studied architecture, but did not complete the course. He began composing as a young lärling in 1917, and his first known work was "La Cumparsita", which he wrote on the piano of the Federación dem Estudiantes of Uruguay [1]Archived April 20, 2014, at the Wayback Machine. It became one of the most recognizable tango pieces

  • gerardo matos rodriguez wiki
  • Gerardo Matos Rodriguez

    Biography

    Gerardo Hernán Matos Rodríguez (27 March 1897 (Montevideo, Uruguay – 25 April 1948, Montevideo), also known as Becho, was a Uruguayan musician, composer and journalist.

    Matos Rodríguez was the son of the owner of the Moulin Rouge, a popular local cabaret. He studied architecture, but did not complete the course. He began composing as a young student in 1917, and his first known work was La Cumparsita, which he wrote on the piano of the Federación de Estudiantes of Uruguay. It became one of the most recognizable tango pieces, though Matos was initially too shy to play the piece himself and it became well known through the performance of others.

    He travelled widely throughout Europe and stayed in Paris for a time, as well as working as Uruguayan consul to Germany. In 1931, he collaborated on the film score for Luces de Buenos Aires, shot in Joinville-le-Pont, France, and starring renowned tango vocalist Carlos Gardel.

    Matos Rodríguez a