Roger ebert biography imdb 2018
•
131: Seabiscuit
Resources Seabiscuit (2003) – IMDb – Synposis The Story of Seabiscuit – Wikipedia Seabiscuit – Wikipedia SEABISCUIT – Documentary – YouTube Biography: Seabiscuit | American Experience | PBS Seabiscuit: An American Legend Seabiscuit True Story Behind the Movie – Real Red Pollard ESPN.com – Page2 – How real is the reel Seabiscuit? Seabiscuit: A True […]
128: Malcolm X
Resources Malcolm X (1992) – IMDb Malcolm X (1992) – Plot Summary – IMDb The True Story of Malcolm X Malcolm X – Quotes, Speeches & Facts – Biography MALCOLM X: Movie vs. Reality – Home Malcolm X – I Have a Nightmare (I Charge the White Man) | Genius “I Have a Nightmare” – Malcolm […]
127: LBJ
Resources LBJ (2016) – IMDb LBJ Synopsis | Fandango LBJ Movie: The True Story Behind Lyndon B. Johnson Biopic | Time LBJ Movie Review & Film Summary (2017) | Roger Ebert Amazon
•
Gene Siskel
American film critic (1946–1999)
Eugene Kal Siskel (January 26, 1946 – February 20, 1999) was an American film critic and journalist for the Chicago Tribune who co-hosted a movie review television series alongside colleague Roger Ebert.[1]
Siskel started writing for the Chicago Tribune in 1969, becoming its film critic soon after. In 1975, he was paired with Roger Ebert to co-host a monthly show called Opening Soon at a Theater Near You airing locally on PBS member station WTTW.[2] In 1978, the show, renamed Sneak Previews, was expanded to weekly episodes and aired on PBS affiliates across the United States.[2] In 1982, Siskel and Ebert left Sneak Previews to create the syndicated show At the Movies.[2] Following a contract dispute with Tribune Entertainment in 1986, Siskel and Ebert signed with Buena Vista Television, creating Siskel & Ebert & the Movies (renamed Siskel & Ebert in 1987, and renam
•
As much inom hate to say this, I’m not sure that David Gordon Green, Danny McBride and the people behind a new sequel to John Carpenter’s “Halloween” really understand what made the first film a masterpiece. Their highly anticipated take on the legend of Michael Myers fryst vatten admirable in its thematic relation to Carpenter’s framtidsperspektiv, but the no-nonsense, tightly-directed aspect of the influential classic just isn’t a part of this one. Carpenter’s movie is so tautly refined that the sometimes incompetent slackness of this one is all the more frustrating. As is the complete lack of atmosphere, another strength of the original. In that first movie, you can hear the crunch of the leaves and smell Fall in the air. This one always feels like a movie, never transporting you or offering the tactile terror of the story of The Shape. Green and McBride are playing with some interesting themes and there’s a female empowerment story of trauma here that’s interesting (but underdeveloped), but do you know