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“Right, that bedroom window, that side öppning and that bit of the garden – man sure you’re fully-clothed at all times” I said, a bit exhausted and muddy in the doorway of Gordon and Sarah’s holiday cottage in Dorset.
I’d just tramped round all the neighbouring fields examining potential vantage points for photographers, and had identified all the points of the property where they could be overlooked. Sarah listened carefully; Gordon muttered darkly about the press being bastards – even though at this point none of them had even worked out where he was, let alone sent snappers to catch him in the nip.
This was Day One of GB’s first summer holiday as PM: ahead in the polls, popular with the public and his party, praised by the media, the first twinkling of an Autumn election in his eye. My colleagues had volunteered me to spend the first week of my own holiday in the neighbouring village. inom was there to deal with any national and loca
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Celtic CD Releases
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Cynefin.
Released January 2025. What is a shimli? Owen Shiers observes that, if you were to be cast back through time to the turn of the last century in a sleepy village in the county of Ceredigion, shimlis were gathering places in working structures like the corn mill, the smithy or the cobbler’s workshop where the farmers, the farriers and other tradespeople could pass the time in sharing a poem, a story or a song – maybe most of the night. Until the 1950s, shimlis had functioned as the seed beds of Welsh cultural life of hundreds of years; he says that in the 17th century, when the upper classes had abandoned the language to the werin, the peasantry, and the bardic order had collapsed, it was the shimli that kept Welsh folk song and the Welsh language alive. Owen, who describes himself as a “Welsh folk singer, researcher, grain grower and cultural historian” and has taken the name Cynefin, was born in the Clettwr Valley of rural
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